Under the hood (p.17)
The voice of a guitar is greatly based on the soundboard. Its conception and the way of integrating it with the rest of the body still has great impact.
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The making of a 2019 classical guitar
Stripping the Rabbet (p. 16)
If I like very much to work using routers and Dremel, doing the end graft inlay by hand still a nice challenge, and more over when the inlay is perfectly rectangular and have to match the one on back. Doing before or after the back is already glued have both their pros/cons. I’m doing before
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The rings (p.13)
The final steps for my rosette ; inlay the wood strips into the inner and outer grooves. I’m doing one side at a time since no real time saving, and giving me time to do the task and to verify. For this design, each side is having 3 sets of homemade purfling, and using the
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Salted & peppered (p.12)
Soundboard in progress. It is a German spruce table that was selected for this guitar, and having over 8 years old. Once the first leveling of surfaces done, which includes an additional margin of about 30% usefull for the work of the rosette, it is the tricky work of doing the rose which require a
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