{"id":4990,"date":"2016-03-09T15:49:24","date_gmt":"2016-03-09T20:49:24","guid":{"rendered":"https:\/\/www.wilhelmy.ca\/fr\/?p=4990\/"},"modified":"2017-09-26T11:15:29","modified_gmt":"2017-09-26T16:15:29","slug":"rwl-lp-repro","status":"publish","type":"post","link":"https:\/\/www.wilhelmy.ca\/fr\/en\/2016\/03\/rwl-lp-repro\/","title":{"rendered":"LP — The shadow of a personal project… (1\/21)"},"content":{"rendered":"

For some time already, the desire to make a guitar Gibson model Les Paul me titillait periodically, and especially as part of my courses at the school Lutherie Bruand Guitar, I teach the understanding and realization of a ” <\/span>a typical electronic circuit of this iconic model of the famous brand. <\/span>The opportunity is all the more beautiful to update my knowledge about this model.
\n<\/span>Given that Gibson has declined a very large number of versions since its release in 1952, the version I decided to manufacture gravitates mainly around the specifications of the 1959 (R9) version. <\/span>As for the main differences: having listened to a good number of versions since my youth (!), I opted for the traditional weight relief, nicknamed “Swiss cheese holes”, and which refers to the 9 holes\u00a0<\/span>drilled in the mahogany body part. <\/span>The crown of the head when a drawing similar to that of my classical guitar “Morency”, while remaining in the vicinity of Les Paul. <\/span>Other small details will be mentioned in the publications related to this project.<\/span><\/span><\/p>\n