![\"CD-Front\"](\"https:\/\/www.wilhelmy.ca\/ag\/wp-content\/uploads\/2014\/01\/IMG_0573.jpg\")
<\/a>![\"CD-Back\"](\"https:\/\/www.wilhelmy.ca\/ag\/wp-content\/uploads\/2014\/01\/IMG_0574.jpg\")
<\/a>\nwww.patriceservant.com<\/a><\/p>\n
I let Servantes talk about his work:<\/p>\n
MY MUSIC :
\nBefore reasoning it, I call it: latin-jazz-flamenco-bluegrass-classical-and others.
\n<\/em>Now here’s the reasoning.
\nMusic always evolves. In the past, musicians have explored every avenue they tought possible during their time and period. As time goes by, new possibilities are brought to our attention making music evolve the same way our way of thinking evolves. Bringing us new mixes, new languages…
\nBut these new ideas create less and less impact as the ones from the past decades. Like Beethoveen, Shoenberg, Jimi Hendrix or Metallica… naming only these 4 wich shocked Men and his way of thinking.
\nA musician in 2008 can create his own language from his origins. Nevertheless, he will rapidly and clearly get catalogued. Why trying to be the new wave, the new style, when the ansers are in our heritage. I wonder.
\nTo the ones who listen to me playing, I hope simply that they can hear my culture, my soul and my story. On stage, the goal is to present and share our beings with the ones who will be willing to hear.
\nHave a good listening!<\/p><\/blockquote>\nFor the album, Servantes mainly use\u00a0a Pedro De Miguel flamenco guitar. Still that for\u00a0the piece \u00abConmigo\u00bb, he use his \u00abclassical\u00bb Wilhelmy (1992); the result is really interesting!<\/p>\n
Listen to the\u00a0clip of the\u00a0piece below\u00a0…<\/p>\n